![]() ![]() Department of Computational Linguistics, IBL - BAS. In Proceedings of the 4th International Conference on Computational Linguistics in Bulgaria (CLIB 2020), pages 101–111, Sofia, Bulgaria. ![]() It Takes Two to Tango – Towards a Multilingual MWE Resource. Anthology ID: 2020.clib-1.11 Volume: Proceedings of the 4th International Conference on Computational Linguistics in Bulgaria (CLIB 2020) Month: September Year: 2020 Address: Sofia, Bulgaria Venue: CLIB SIG: Publisher: Department of Computational Linguistics, IBL - BAS Note: Pages: 101–111 Language: URL: DOI: Bibkey: leseva-etal-2020-takes Cite (ACL): Svetlozara Leseva, Verginica Barbu Mititelu, and Ivelina Stoyanova. This work is a proof of concept for the adopted method of compiling a multilingual MWE resource on the basis of information extracted from the Bulgarian, the Romanian and the Princeton wordnet, as well as additional language resources and automatic procedures. In this paper we show how the resources developed and the knowledge gained are put together towards devising a linked MWE resource that is informed by layered dictionary representation and corpus annotation and analysis. The parallel recent development of the two resources under discussion, the Bulgarian and the Romanian wordnets, has enabled interlingual analyses that reveal similarities and differences between the linguistic knowledge encoded in the two wordnets. The focus in this paper is on the ways the results already obtained at two levels, derivation and multiword expressions, may be further employed. "Kunqu Opera is graceful and restrained, while the tango is passionate and untrammeled – highlighting differences in cultures and lifestyles.Abstract Mature wordnets offer the opportunity of digging out interesting linguistic information otherwise not explicitly marked in the network. "Both Kunqu Opera and tango are important pieces of cultural heritage and have great artistic power," he stated. He noted that renowned Argentine tango bandoneon player Eduardo Arolas is known as the "tiger of the bandoneon."Īrgentine tango dancer Juan Martin Berthier finds similarities between the tango and tai chi, the ancient Chinese exercise system, citing a common mindset and feeling.Ĭhinese photographer Zhao Hui, who exhibited his images in Buenos Aires in 2018, compares the tango with Kunqu Opera. ![]() "It's the Year of the Tiger, and in Chinese culture the tiger is associated with daring exploration and regal dignity," Ou told Shanghai Daily. The parallel could be just coincidental, but China indeed has embraced the dance, according to Ou, a Chinese researcher at the national tango research institute of Argentina. Guangchangwu, or Chinese line dancing, is actually a hodge-podge of dance styles that are very popular, especially with millions of Chinese "grannies" who do outdoor dancing in parks and squares. That is to say, people who may be dancing the tango or some variation in China – including those not conscious of the connection – outnumber our national population!" "It's so incredible," Cortelletti wrote in the preface to "El Auge del Tango in China," by tango researcher Ou Zhanming. Guangchangwu, sometimes also called Chinese line dancing, is actually a hodge-podge of dance styles that are very popular, especially with millions of Chinese "grannies" who do outdoor dancing in parks and squares. "It was very similar to the tango in style," he said. No wonder then former Argentine cultural attaché Juan Manuel Cortelletti stopped in his tracks in Beijing's Ritan Park several years ago when he came across a group of older women doing a Chinese-style line dance called guangchangwu. Or perhaps Uruguay, Havana or even Paris. Think tango and Argentina automatically comes to mind.
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